RENO DIVORCE

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Reno Divorce 2015

L-R: Shane Henry, Johnny Crow, Steve Port and Brent Loveday.

With equal parts Orange County punk, honky tonk country, and a tip-jar full of rockabilly swagger, Reno Divorce strikes a unique chord of their own with their brand of punk rock and roll. The band’s longevity is no accident. Their fans simply won’t allow them to quit and pursue real careers. The fact that they’ve been voted the best punk band in Denver by The Westword Magazine in 2011, 2012, and 2013 can attest to their stalwart status in their home state. A successful Kickstarter campaign and a growing number of their faithful willing to have the band’s name tattooed on their bodies keeps them climbing back into the van for tour after tour. They’ve never been ones to rest on their laurels, though. To the contrary, Reno Divorce has 7 European tours and several US jaunts under their belt, supporting Reverend Horton Heat, The Queers, and US Bombs, among others.

Their well-crafted and skillfully executed songs call to mind Smithereens and Social Distortion, but a more aggressive tone lurks in-between the lines. A good hook is the bread and butter for these guys, and one listen is all it takes to realize you’ve got a band that truly stands out amongst the herd. Ten years strong and having graced some of the most legendary bars and stages around the world, they’ve played with almost all their punk heroes (ALL, Social Distortion, TSOL, Adolescents, Agent Orange, The Queers, X, The Blasters, Motorhead), and shared a tour bus with more contemporary heavy hitters like U.S. Bombs, The Bones, and Street Dogs. They’ve worked with the best behind the scenes, as well. Their latest record, “Lover’s Leap, was recorded by Blasting Room alumnus Felipe Patino and mixed and mastered at the legendary studio by Jason Livermore (Rise Against, ALL, Descendents). Their record before that, “Tears Before Breakfast,” received similar treatment, too. When you delve into their catalog, a strange feeling sets in…there’s no filler…no rehashing or redressing from the album before…no déjà vu or forced delievery. Instead, they find a way to up the ante with every record, growing musically with each outing and subversively injecting their will into whatever 3 chord progression it is you think you’ve heard before. The result is something familiar, yet foreign. And then there’s the lyrics…that’s what sets Reno Divorce apart. This is storytelling at its finest, with uncanny, almost pathological insight. From prince to pauper, sinner to saint, you always feel like you’re riding shotgun with the protagonist or anti-hero as their story unfolds.

With their European tours being handled by M.A.D. Booking, their following continues to grow with each trip and makes their next appearance and return anticipated.
Among the many open air festivals they’ve played, like ‘With Full Force’, ‘Speedfest’, and ‘The Rock-n-Ink Fest,’ Reno Divorce has shown their fans that they are at home on a massive stage or in a seedy, whiskey-soaked dive. Always captivating live, and wrought with more hooks than a tackle box, Reno Divorce has carved out a reputation as ‘the real nitty-gritty’ and true ‘musician’s band’ that pushes the envelope with every release. Brent Loveday’s deft songwriting and clever storytelling are brought to life by the bands solid and capable musicianship. With Brent Loveday on lead guitar and vocals, Johnny Crow on bass, Shane Henry on rhythm guitar and Steve Port on drums, the band fires on all cylinders and deliver a show that you won’t soon forget.

 

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Reno Divorce changes the lineup.

In the 14 years Reno Divorce has been in Denver, there have been two drummers.Now it’s time for the third. We are sad to announce that Ruben Patino is no longer with the band and unfortunately the parting was not as amicable as we would like in these situations. Please know that this decision wasn’t taken […]

You Left Me For Christmas

Written when Brent was just 16, he’s spent the last 20+ years trying to lay this one to rest, but family and friends just wouldn’t let it go. So, in an attempt to quell their fascination with this cantankerous carol, the boys cut this track so they, and you, can listen when the mood strikes […]

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